The Belgian composer Wim Mertens (born 1953) is an international recording and performing artist who has given several concerts, as a soloist and with his ensemble all over Europe, in North and Central America, Japan and in Russia.
Wim Mertens plays the piano and the classical guitar. He sings in a characteristically high-pitched voice, using a carefully crafted personal language.
Since 1980 he has composed many pieces in different formats, from short, accessible songs or Lieder to magnanimous and complex three and four parts cycles, and for different settings: from piano solo to chamber music ensembles and symphonic orchestra. He often writes for unusual instrumentations: twelve piccolos, ten basstrombones, thirteen clarinets.
Since his recording debut in 1980, titled For amusement only, an electronic composition for pinball machines, Wim Mertens has released more than 50 albums.
He wrote American Minimal Music, the first book which deals in depth with the school of American repetitive music. Early landmark albums are Vergessen (1982) and Struggle for pleasure, including Close cover, still one of his classics.
The 1985 album Maximizing the audience, marks the introduction of the vocal element in Mertens' music. Throughout the years the composer has expressed the increasing vocal inspiration of his music on piano and voice albums such as A man of no fortune, and with a name to come (1986), After virtue (1988) and Stratégie de la rupture (1991), Jérémiades (1995), Der heisse brei (2000) and Un respiro (2005).
Mertens also released albums for various ensembles: Motives for writing (1988), Jardin clos (1996), Shot and echo - A sense of place (1992), Integer valor - Intégrale (1999), Skopos (2003) Partes extra partes (2005), recorded with the Brussels Philharmonic (Vlaams Radio Orkest) and Receptacle (2007), performed by a group of 17 musicians, all women and L'heure du loup (2008).
Started in 1991 with the trilogy Alle dinghe, the ambitious cycle Qua, covering 37 cd's, followed by the tetralogy Gave van niets in 1994, the trilogy Kere Weerom in 1999 and the tetralogy Aren lezen in 2001. The whole cycle Qua was released as a box set in 2009.
Other special releases included the 1997's guitar album Sin embargo and Moment (2003), a 13 albums box set covering the period 1980-1989 with 80 compositions.
In 2002, Wim Mertens started with the release of a live series entitled Years without history composed of live recordings completed since the 80's. The series includes so far 7 albums: Moins de mètre, assez de rythme (2002), In the absence of hindrance (2002), Cave musicam (2002), Not yet, no longer (2004), With no need for seeds (2004), The promise kept in advance (2008, only included in the 6 cd's box set Years without history vol. 1-6) and Nosotros (2008).
In 2006, first DVD live recording, What you see is what you hear, including 16 compositions selected from 25 years' career.
Since July 2003 several scores by the composer are published. Particular projects include the composition and live performing of original music for piano and voice for the silent movies La femme de nulle part by Louis Delluc and The land beyond the sunset by Harold Shaw in 1993 and original composition for the new men collection Christian Dior Homme, performed live with the Wim Mertens Ensemble during the fashion show in Paris in early 2008.
Wim Mertens also works for the theatre and the movies. He wrote several scores such as Jan Fabre's performance's The Power of theatrical madness (1984), Peter Greenaway's film The belly of an architect (1987), Je pense à vous by the brothers Luc and Jean- Pierre Dardenne, Marion Hänsel's film Li - Between the devil and the deep blue sea (1992), Paul Cox's Father Damien (1999), among others. Actually the artist is performing with different settings : Solo piano, Duo (violin, piano), Pianotrio (violin, cello, piano) with different Ensembles and also with Symphonic Orchestra.
2009's releases include the box set Music and film, composed of three cd's covering a large selection of Mertens' film music.
In June 2009, EMI Classics gathers together for the first time the cycle Qua, started in 1990 avec Alle dinghe, followed by Gave van niets in 1994, Kere weerom in 1999 and Aren lezen in 2001. The 37 albums are now available in an elegant box set. At the same time, the new Wim Mertens ensemble studio album The world tout court is released. Wim Mertens discography is now worldwide available on EMI Classics, except in Spain where it is licensed by Warner Music Spain.
Zee versus Zed has been released in 2010. With this album, Wim Mertens releases 10 pieces for an ensemble composed of strings, brass, harp and guitar. With titles such as Zusammensetzen, Zing'up, Zoet'kemiesch and the vocal Z's rival, the last letter of the alphabet serves as fil conducteur for the new album.
2011 has been a special year for Wim Mertens :
- With Series of ands - Immediate givens, his new double album, the composer achieves an enlarged musical scale. In total, more than 30 musicians participated to this ambitious production. A complete scale of strings, horns, guitars, harp and even an authentic harpsichord (it's the first time that Mertens includes this instrument in his music) ensures a hyper orchestral sound and a striking development of the composer's palette.
- For the Festival van Vlaanderen in Gent, Belgium, Mertens composed A Starry Wisdom and performed two sold out concerts in the Cathedral St Baafs (solo piano) and with his Ensemble in the Capitol, september 2011.
- Wim Mertens released the double CD - DVD Open continuum, the live recordings with the Tenerife Symphony Orchestra (OST) in de Sala Sinfonica del Auditorio deTenerife Adan Martin in Spain on 28th June 2008. Mertens, who played the piano and also sings, presents 19 compositions from his extensive repertoire for this special setting for symphonic orchestra. The composer sees a new relation between the pianist-singer and symphonic orchestra, ‘an interaction within the 3 players: soloist-orchestra-conductor'.
- For the opening of the new building for the laboratory Education and Research 4, on 8th December 2011, he presented with a large ensemble the title Telles Quelles a work that Mertens - himself a former student of the university KU Leuven - has composed especially for this occasion. He has been inspired by, among others, the scientific literature by the researchers Bart Destrooper, Peter Carmeliet and Catherine Verfaillie. The Spanish video artist Cristóbal Vila has been asked to create a 3D video for the track.
In 2011 Wim Mertens has also been commissioned to write and present live a composition by the city of Guimarães, Portugal, Capital of Culture 2012. On March 7th 2012 Wim Mertens performed with the Fundação Orquestra Estúdio directed by Rui Massena at the CC Vila Flor in Guimarães the world premiere of When tool met wood.
On the 5 th of March 2012, precisely 30 years after the release of Struggle for pleasure, Wim Mertens releases the double album ‘Struggle for pleasure - Double Entendre’. Included are 10 previously unreleased compositions from the Mertens-Archive, all composed in the same period 1980-1982. He also rerecorded 2 titles Salernes and Gentleman of Leisure. These pieces were all performed on 15 and 16 March 2012 by the Wim Mertens Ensemble during the Rewind Series at the Ancienne Belgique in Brussels.
In 2012 the composer released the A starry wisdom album.
The album When tool met wood was released in Spain in 2013 ; a worldwide release is planned in 2014.
Now available on vinyl, Wim Mertens Struggle for Pleasure, Maximizing the Audience and The Belly of an Architect. Purchase here Music On Vinyl.
When Tool met Wood was commissioned by the city of Guimaraes, European cultural capital 2012. The world première was on the 7th of march 2012 at the Centro Cultural Vila Flor and was by performed by the symphonic orchestra Fundaçao Orquestra Estudio conducted by Rui Massena.
This new recording of When tool met Wood is for Wim Mertens like a practical theory and a performative practice.
The Orchestra is for Wim Mertens the place par excellence where one can transform the world. The Orchestra includes a mathematical ingredient, however it will not be based on simple calculation.
When tool met Wood no longer thinks in one mold but integrates all sorts of cuts and discontinuities in a fascinating mélange.
When Tool met Wood is not a model closed in itself but it is open to all mutations that come with such a theoretical practice.
When Tool met Wood never makes perfect, remains an open continuum and stimulates multiple intermezzi of possibilia.
Order it at : email@example.com Malaga, Spain Wim Mertens Duo Teatro Cervantes 2014-11-07 Sint-Truiden, Belgium Wim Mertens Trio Academiezaal (Violin, cello, piano, voice) 2014-10-28 Ieper, Belgium Wim Mertens Ensemble Sint-Maartens kathedraal 2014-09-17 Ponta Delgada (Azores) Portugal Wim Mertens Duo Teatro Micaelense 2014-05-28 Gent, Belgium Wim Mertens Trio Bijloke (Violin, cello, piano, voice) Webdesign by Jurgen Van Hoof aka ZoB, http://www.zobweb.be